You are browsing the archive for LMFAO.

Avatar of Editor

by Editor

Watch EL-P, Linkin Park, Gaslight Anthem, and the Jacksons Shake Up Late Night

June 28, 2012 in Music News

Yesterday was the kind of day you could find veteran MC El-P collaborating with a Jedi-hooded Zola Jesus on one late-night show, and LMFAO spitting a ridiculous tune about spin class on another. Let us begin with the former, who appeared on Conan with Zola serving as hypegirl and hook singer, who along with a killer DJ-bongo guy delivered a stellar performance of “Works Every Time…
Click Here to Read Entire Story!

Avatar of Editor

by Editor

Bruce Springsteen and ‘Neil Young’ Cover LMFAO on ‘Fallon’

March 5, 2012 in Music News, Otaku News

In November 2010, Jimmy Fallon and Bruce Springsteen covered Willow Smith’s neck-snapping “Whip My Hair,” with Fallon impersonating Neil Young and Springsteen impersonating, well, himself. Fallon has since dusted off his pitch-perfect Neil impression for a Miley Cyrus cover with the rest of Crosby, Stills, Nash, & Young, and just last month Fallon posed as Eddie Vedder for a Pearl Jam-style tribute to the NBA phenomenon known as Jeremy Lin. Friday night, at the end of a week-long Springsteen tribute on Late Night With Jimmy Fallon, the host and the Boss reunited again — to perform LMFAO’s ridiculous, pretty-fly-for-a-white-guy mook-pop hit “Sexy and I Know It.” Which, let’s face it, is pretty much its own Weird Al parody to begin with, right down to the hair and glasses.

Fallon brought a perfectly deadpan expression to the performance, recalling Harvest-era Young with his acoustic guitar and harmonica. Springsteen joined him in his Born in the U.S.A.-era guise, complete with red headband, cut-off jean jacket, and anthemic crowd sing-along: “Wiggle, wiggle, wiggle, wiggle.” It’s worth it just to hear the Boss rumble gruffly, “I’m in a Speedo tryin’ to tan my cheeks.”

In actually good music news, Springsteen closed out his week on Fallon with a massive rendition of 1973′s “The E Street Shuffle,” backed by the E Street Band, Rage Against the Machine’s Tom Morello, the Roots, and of course, Fallon. Springsteen’s new Wrecking Ball is out tomorrow, and his tour with the E Street Band begins on March 17 in Atlanta, where fans will be able to see for themselves in person if the Boss works out.

'Wiggle, wiggle, wiggle, wiggle'
Timberlake & Fallon's Hilarious "History of Rap", See Pearl Jam (OK, Jimmy Fallon) Sing 'Jeremy (Lin)'
false
yes
Bruce Springsteen Jimmy Fallon
Bruce Springsteen
Avatar of Editor

by Editor

M.I.A. or Hydrangeas: Which Offends Madonna More?

February 10, 2012 in Music News, Otaku News

In an interview with Ryan Seacrest this morning, Madonna admitted that she was so not happy with M.I.A. over that whole bird-flipping debacle at the Super Bowl. In her words, she thought the gesture was a "very teenager, irrelevant thing to do," per Spinner. And she didn’t even know about the guest appearance from M.I.A.’s middle finger until she was in the elevator leaving the game.

The world presumed the original bad girl wasn’t so thrilled with M.I.A.’s cute little PR stunt, especially given that the rest of Madge’s performance was basically G-rated (and awesome). “I was really surprised. I didn’t know anything about it,” Madonna said. “I wasn’t happy about it. I understand it’s kind of punk rock and everything, but to me there was such a feeling of love and good energy, and positivity, it seemed negative. … there was such a feeling of love and unity there, what was the point? It was just out of place.”

Madonna had nice things to say about LMFAO and Cee Lo, calling them “fun people.” (Nicki and M.I.A. are “cool… have youthful energy and are badasses in their own right”). So Madonna is praising LMFAO and criticizing M.I.A. Got it. But does Madonna find M.I.A. as objectionable as full-figured flowers?

Considering M.I.A.’s still potentially facing a fat fee for the finger from NBC and the NFL, we hope the Queen of Pop shows a little mercy on her collaborator, unlike the entire hydrangea population. After all, Maya did don a cheerleading skirt and shake pom-poms for the legend promptly following the release of her badass video for "Bad Girls.". Plus, according to TMZ, Madonna told Carson Daly M.I.A. called to apologize, which is more than the hydrangeas did for offending her.

Avatar of Editor

by Editor

SPIN’s 20 Best Songs of 2011

December 9, 2011 in Music News, Otaku News

20. FLEET FOXES, “Helplessness Blues”
An earnest orphan raised by ’60s wolves turns up on the doorstep of 2011, tries to write a generational folk anthem, muddles allegiances, imagines he owns a frickin’ orchard — poignant confusion reigns.

Image

See SPIN’s full list of the 20 Best Songs of 2011.

MORE ON PAGE 2 >><!–pagebreak–>

19. ERIC CHURCH, “Homeboy”
The gut-ripping, country-rock saga of a small-town family hysterically projecting their fears onto a lone Yelawolf fan with a neck tat. Unfair, but plausible.

Image

MORE ON PAGE 3 >><!–pagebreak–>

18. LIL WAYNE, “6 Foot 7 Foot”
Considering his scattershot, post-incarceration output, quite possibly the last Weezy song you’ll ever IM or tweet or post on impact. Kind regards to producer Bangladesh’s bent “Banana Boat” sample.

Image

Photo: Ian Witlen

MORE ON PAGE 4 >><!–pagebreak–>

17. JAY-Z AND KANYE WEST, “Otis”
Guess what, Madonna, this season’s imperiously postmodern Super Bowl halftime show already called the paparazzi on itself. Go get a late pass.

Image

Photo: Kevin Mazur/WireImage

MORE ON PAGE 5 >><!–pagebreak–>

16. BRAD PAISLEY, FEAT. CARRIE UNDERWOOD, “Remind Me”
Treating marriage’s dying passion like an apocalyptic event — which it is — Paisley launches a melodic warhead that Underwood rides like Slim Pickens in a print dress and spray tan. Sizzle-lean guitar solo, too.

Image

MORE ON PAGE 6 >><!–pagebreak–>

15. GIRLS, “Vomit”
Girls’ Christopher Owens digs deep and finds the pitch-perfect Bible verse (Proverbs 26:11) to inspire the title of this gorgeously purgative song about codependency. Then he hires actual gospel singers. Chutzpah.

Image

Photo: Sandy Kim

MORE ON PAGE 7 >><!–pagebreak–>

14. THE WEEKND, “Wicked Games”
Pop culture’s treatment of women as literal chickens in a neon-lit, two-drink-minimum “VIP” coop comes home to roost on this stupefying R&B creepfest. Alternate title: “Only Happy When I Make It Rain.”

Image

MORE ON PAGE 8 >><!–pagebreak–>

13. BRITNEY SPEARS, “Till the World Ends”
Team Britney unleashes the electro-house hounds on TMZ’s hater brigades and she emerges from the fray, extensions askew, with exactly one pound of flesh!



Photo: Getty Images

MORE ON PAGE 9 >><!–pagebreak–>

12. M83, “Midnight City”; COLLEGE, FEAT. ELECTRIC YOUTH, “A Real Hero”
Ah, the ’80s, the last decade when we were willfully naive enough to expect technology to ravage us gently. And our childlike delusions sounded just like this — Korg synths set to “stunned.”

Image

M83, “Midnight City”

College, feat. Electric Youth, “A Real Hero”

MORE ON PAGE 10 >><!–pagebreak–>

11. LMFAO, “Party Rock Anthem (Alesso Remix)”
Ladies and gentlemen, please give a warm, U.S.-of-A. welcome to your New Rave Generation!

Image

MORE ON PAGE 11 >><!–pagebreak–>

10. TV ON THE RADIO, “You”
Perhaps it got eclipsed in the pall cast by bassist 
Gerard Smith’s tragic death, but this is TVOTR’s loveliest recorded moment.

Image

Photo: Josh Sisk

MORE ON PAGE 12 >><!–pagebreak–>

9. HYUNA, “Bubble Pop!”
K-Pop’s ultimate fizz geyser. Also, how Robyn’s “Konichiwa Bitches” was always meant to sound.

MORE ON PAGE 13 >><!–pagebreak–>

8. LYKKE LI, “Get Some”
The Swedish synth-pop Darla suddenly decides to shimmy and gyrate like a polyrhythmic cult leader. Don’t blame us if you wake up in a puddle surrounded by candles and John the Conqueror root.



Maciek Kobielski

MORE ON PAGE 14 >><!–pagebreak–>

7. CLAMS CASINO, “I’m God”
Aspiring hip-hop producer scales the New Age 
mountaintop seeking…enlightenment? Forgiveness? Eno? A monumentally dizzy trek, regardless.

MORE ON PAGE 15 >><!–pagebreak–>

6. TYLER, THE CREATOR, “Yonkers”
Older rappers should be baffled, appalled, and frightened — that horror-flick synth loop is the sound of your style being repeatedly stabbed to death.

MORE ON PAGE 16 >><!–pagebreak–>

5. FRANK OCEAN, “Novacane”
Imagine, if you will, a fully evolved Drake song, where you’re slyly immersed in youthful, aww-shit decadence, while simultaneously watching your dreams of recreational stripper booty and complimentary cocaine breakfasts get methodically dismantled.

MORE ON PAGE 17 >><!–pagebreak–>

4. THE RAPTURE, “How Deep Is Your Love”
The closest pop music got to real church in 2011. Still waiting for the Tony Humphries, Club Zanzibar, New Jersey–style, ’80s house remix with spine-tingling, MLK “I Have a Dream” breakdown.



Photo: Ryan Muir

MORE ON PAGE 18 >><!–pagebreak–>

3. EMA, “California”
EMA dubbed her signature song a “rap ballad” and she performs it like a time-lapse corner-boy soliloquy, squinting through a 3 a.m. hangover haze, theatrically summoning Tupac’s out-on-bail-fresh-outta-jail compulsion as much as PJ Harvey’s mystical swagger. No California love here, though, homie.

MORE ON PAGE 19 >><!–pagebreak–>

2. BEYONCÉ, “Countdown”
The sort of aggressively and joyously avant pop production that rearranges your sense of time and space with an effortless hair flip (which is obviously the product of Olympian training and skill). “Countdown” is Beyoncé’s gangsta throwdown as an artiste, bumping and grinding and skipping and skating and caressing and catcalling and bearing witness all over the beat like nobody since MJ — full stop. The Afro brass blasts, the minimalist synth boop boop, the jazzy Boyz II Men breakdown, the syncopated shiftiness back-to-front. A masterpiece, with legs for days.

MORE ON PAGE 20 >><!–pagebreak–>

1. ADELE, “Rolling in the Deep”
The young Ms. Adkins’ ex-b’friend is transformed into the accursed Jericho and she’s the Israelites blowing his shit apart with the wind of a higher power at her back, a.k.a. cowriter-producer Paul Epworth’s holy-moly arrangement, a meticulous groundswell that left cubicles quaking not weeping. All together, now, children: “Fuuuck that dude!”



Photo: Dave Hogan/Getty

SEE THE INDEX ON PAGE 21 >><!–pagebreak–>

20. Fleet Foxes, “Helplessness Blues”

19. Eric Church, “Homeboy”

18. Lil Wayne, “6 Foot 7 Foot”

17. Jay-Z and Kanye West, “Otis”

16. Brad Paisley, feat. Carrie Underwood, “Remind Me”

15. Girls, “Vomit”

14. The Weeknd, “Wicked Games”


13.
Britney Spears, “Till the World Ends”

12. M83, “Midnight City”; College, feat. Electric Youth, “A Real Hero”

11. LMFAO, “Party Rock Anthem” (Alesso Remix)

10. TV on the Radio, “You”

9. HyunA, “Bubble Pop!”

8. Lykke Li, ” Get Some”

7. Clams Casino, “I’m God”

6. Tyler, the Creator, “Yonkers”

5. Frank Ocean, “Novacane”

4. The Rapture, “How Deep Is Your Love”

3. EMA, “California”

2. Beyoncé, “Countdown”

1. Adele, “Rolling in the Deep”

Avatar of Editor

by Editor

Taylor Swift, Mick Jagger’s Legacy: The 2011 American Music Awards’ Biggest Winners and Losers

November 21, 2011 in Music News, Otaku News

Seventeen awards were handed out at last night’s 2011 American Music Awards, and Taylor Swift walked off with three of them. Adele and Nicki Minaj both took home two trophies. But anyone who bothers to show up at the AMAs wins a prize for self-promotion, so kudos to you, everyone else! AMAs nominees are determined by popularity and winners are picked by fan vote — the categories are called “Favorite,” after all, not “Best.” So who were the real winners and losers?

Winner: Taylor Swift’s Shock & Awe Coach
See above.

Loser: Mick Jagger’s Legacy
Not one, but two unfortunate incidents involving the Rolling Stones singer — Maroon 5 and Christina Aguilera’s woeful “Moves Like Jagger,” and Will.i.am’s “T.H.E. (The Hardest Ever),” which, due to a technical difficulty, made Jagger (performing via a pre-taped video) look more out of step with the times than we ever thought possible.

Winner: Hot Chelle Rae
Now that this quartet are Sprint New Artists of the Year, we know who they are!
Loser: Hot Chelle Rae
So now we know how best to avoid them.

Winner: Jennifer Lopez
Nobody on the AMAs stage out-danced or out-entertained J.Lo. However…
Loser: Jennifer Lopez
Nobody committed such an outrageous act of brand integration, either. She actually brought that damn Fiat onstage with her.

Winner: Kelly Clarkson
An incredible version of “Mr. Know It All” with a ’20s twist. Due to J.Lo’s disqualification on a technicality (shamefulness), hers was the best performance of the night.

Loser: OneRepublic
Note to band: It’s not a humble brag if it’s just a brag. Nobody wants to hear about your “Good Life” anymore.

Loser: The Vein Throbbing on Marc Anthony’s Forehead
To be fair, maybe it was just reacting to J.Lo’s performance.

Winner: LMFAO
For an incredibly stupid, but incredibly entertaining performance of “Party Rock Anthem” and “Sexy And I Know It.” Bravo, kids: You outdid Will.i.am!